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La nutella del titolo è quella esagerata che dovreste aggiungere alla ricetta pubblicata sul sito della nuova galleria romana FRUTTA. In via vetrine 9 apre questo nuovo spazio con la mostra The Museum Problem, curata da Chris Fitzpatrick (andate nel suo sito per provare un brivido… :), aperta fino al 25 febbraio. Conto di andarci presto, nel frattempo pubblico un pò di foto dello spazio. La mostra collettiva ospita le opere di: Nina Beier, Liudvikas Buklys, Gintaras Didžiapetris, Dalia D?d?nait? & Elena Narbutait?, France Fiction, Antanas Gerlikas, Morten Norbye Halvorsen, Chosil Kil, Juozas Laivys, Stephen Lichty, Lauren Marsden, Nicolas Matranga & Žiga Testen, Gizela Mickiewicz, Rosalind Nashashibi, Brandon Walls Olsen, Post Brothers, Chadwick Rantanen, Will Rogan, Iza Tarasewicz, Suzanne Treister e Amy Yao.Ma ci staranno tutti questi artisti in così poco spazio? La mostra, per certi versi specula anche su questo:
Why stand still? Reconnoitering the space, will the search for a prime position that doesn’t exist reveal all possible permutations of a single exhibition? Does each work physically, referentially, procedurally, or conceptually engender a line and constitute a point (while being suggestive of both lines and points)? If so, where do they lead—to each other, to themselves, to their authors, to ideas, to our eyes, feet, or minds, to time, space, things, dimensionality, or its dissolution, to unseen relations, unspoken conversations, to museum guards and optimal vistas? If fixed, static, how can we chart and navigate the lines of ight (and sight) stemming from each work, extending between each pairing, across each subset, bouncing through the whole exhibition? How does each work’s proximity to another change the proximity of everything else,
including us? And with sound reflecting throughout the space, does what we hear re-contextualize what we see, or is it the reverse? With so many works leading to so many destinations, if we follow them far enough, will we end up outside of Frutta?
including us? And with sound reflecting throughout the space, does what we hear re-contextualize what we see, or is it the reverse? With so many works leading to so many destinations, if we follow them far enough, will we end up outside of Frutta?
Frutta
Via della Vetrina 9 – Roma
Via della Vetrina 9 – Roma
