Un percorso visivo di me e te per 24 ore dopo la fine della quarantena (oppure 24 opere che vorrei dedicarti)
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7 AM
Daniel Steegman Mangrané, Orange Oranges, 2001 (detail)
Steel modular structure, photographic filter (ref. 306 Medium Lemon), Indian silk curtain, benches, table, knives, juicers, cups, fresh oranges 220×295×295 cm
Courtesy Ester Schipper
Photo © Andrea Rossetti
![](http://atpdiary.com/wp-content/uploads/2020/04/Ettore-Spalletti-Un-giorno-così-bianco-così-bianco-Roma-2014-Courtesy-Maxxi-photo-Matteo-Ciavattella.jpg)
8 AM
Ettore Spalletti, Un giorno così bianco, così bianco, 2013
11 indivisible panels, Color impasto on panel, gold leaf, 240×120×4 cm
Courtesy Maxxi
Photo © Matteo Ciavattella
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9 AM
Vera Portatadino, It’s for All to See, 2019
Oil on linen, 55 × 55 cm
Photo © Cosimo Filippini
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10 AM
Bruce Nauman, Untitled, 1970/2009
Video (color, stereo sound), continuous play. One video source, 2 video projectors, 2 speakers, rubber mat, tape
Courtesy Sperone Westwater, New York
Photo © 2009 Bruce Nauman / Artists Rights Society (ARS), New York
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11 AM
Bruno Munari, scultura da viaggio 525 (travel sculpture 525), 1959 Cardboard, 18×30 cm
Courtesy kaufmann repetto
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12 PM
James Turrell, Skyspace 1, 1974
Photo © Alessandro Zambianchi – Simply.it, Milano
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1 PM
Hannah Levy, Untitled, 2018
Nickel-plated steel, silicone
Courtesy the artist and Casey Kaplan
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2 PM
Installation view Adrián Villar Rojas, The Theater of Disappearance, 2017 at The Met, New York, USA
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3 PM
Alfredo Aceto, Gutter-Hydrant, 2018
Polystyrene, Fiberglass, acrylic resin, paint, h 70 cm, d 30 cm
Courtesy the artist and DITTRICH & SCHLECHTRIEM
![](http://atpdiary.com/wp-content/uploads/2020/04/5_Rugile-Barzdziukaite-Vaiva-Grainyte-Lina-Lapelyte-Sun-Sea-Marina-opera-performance-Biennale-Arte-2019-Venice-©-Andrej-Vasilenko.jpg)
4 PM
Rugile Barzdziukaite, Vaiva Grainyte, Lina Lapelyte, Sun & Sea (Marina), 2019, opera performance, Biennale Arte 2019, Venice
Photo © Andrej Vasilenko
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5 PM
Rothko Chapel, 1971, Houston, TX, USA
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6 PM
Installation view Andrea Magnani, La Terrasse, 2019, curated by Bryce Grates, at INTERSTATE PROJECTS, Brooklyn, NY, USA
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7 PM
James Richards, Crumb Mahogany, 2016
9-channel digital audio, computer system, 15 minute loop
![](http://atpdiary.com/wp-content/uploads/2020/04/APA9185-copia.jpg)
8 PM
Arthur Jafa, Love Is The Message, The Message Is Death, 2016
Video (color, sound) 7’ 23’’
Courtesy the artist and Gavin Brown’s enterprise, New York / Rome
Photo © Roberto Apa.
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9 PM
Benni Bosetto with Xenia Perek, Ambiente X, 2019, curated by Giulia Civardi. Performance at Kunstraum, London
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10 PM
General Idea, Orgasm Energy Chart, 1970
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11 PM Andrea De Stefani, Capriccio 2000
Plaster, gravel, iron Soundscape in collaboration with Floriano Campi
![](http://atpdiary.com/wp-content/uploads/2020/04/AS-Two-Good-Reasons-2015_300-dpi-3.jpg)
12 AM
Ariel Schlesinger, Two Good Reasons, 2015
Polypropilane, engine, wood, 100×132 cm each sheet, 310×300 cm set up dimensions
Courtesy the artist and Galleria Massimo Minini
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1 AM
Jacopo Benassi, Cassa cintura sicurezza, 2018
Fine art print, artist frame, 65×50 cm, Edition of 7
Courtesy the artist and Francesca Minini
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2 AM
Anna-Sophie Berger, The kids are alright, 2016
Wood, steel, paint, 25×220×50 cm
Courtesy the artist and Galerie Emanuel Layr
![](http://atpdiary.com/wp-content/uploads/2020/04/Renato-Leotta_FlashArt8-720x855@2x.jpg)
3 AM
Renato Leotta, Lucifer, 2017
Luminogramma su carta ai sali d’argento 40×30 cm
Courtesy the artist and Galeria Madragoa, Lisbona
![](http://atpdiary.com/wp-content/uploads/2020/04/wolfgang-tillmans-studio-party-a.jpg)
4 AM
Wolfgang Tillmans, studio party (a), 2009
C-print, framed, Edition 10 + 1 AP, 32.9 × 43 × 2.4 cm
Courtesy the artist and Galerie Buchholz
![](http://atpdiary.com/wp-content/uploads/2020/04/DiegoGualandris_Frangialba_2020_a_ADARoma_edited.jpg)
5 AM
Diego Gualandris, Frangialba, 2020 oil on canvas, 100 × 80 × 2.5 cm
Courtesy the artist and ADA project
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6 AM
Mandla Reuter, Prospect, 330 Waldon Pl.,2010
Framed chromogenic print, 55×45 cm
Edition of 3
Courtesy the artist and Francesca Minini
Tradotto dall’inglese Doggerel è una poesia irregolare nel ritmo e nella rima, spesso deliberatamente burlona o comica. In questo periodo difficile, anche un po’ triste, in cui risulta difficile collaborare o frequentarsi, la redazione di ATPdiary insieme a REPLICA – l’archivio italiano del libro d’artista – ha pensato di invitare un gruppo di curatori a pensare un progetto espositivo in un luogo impensabile e in forme impensabili.
Ad ogni curatore abbiamo richiesto di proporre una “mostra editoriale”, un sintetico testo critico sulla scelta dello spazio, delle opere, degli eventuali libri d’artista o pubblicazioni indipendenti che fungano da supporto critico-documentativo del progetto.
L’invito che abbiamo proposto è stato quello di impostare un’indagine sullo spazio – reale e virtuale – utilizzando immagini di opere, pagine di libri, luoghi impensabili o immaginati.