• Sofia Ginevra Giannì , SAGG NAPOLI, screen grab from-Si na bugij pi cosc lisc e o smalt ngopp all’ogn - You’re a lie with smooth thighs and painted nails, 2017. HD 18:10 minuti
  • Sofia Ginevra Giannì , SAGG NAPOLI, screen grab from-Si na bugij pi cosc lisc e o smalt ngopp all’ogn - You’re a lie with smooth thighs and painted nails, 2017. HD 18:10 minuti
  • Sofia Ginevra Giannì , SAGG NAPOLI, screen grab from-Si na bugij pi cosc lisc e o smalt ngopp all’ogn - You’re a lie with smooth thighs and painted nails, 2017. HD 18:10 minuti
  • Lila de Magalhaes, It's the natural vogue, video still, 2012
  • Lila de Magalhaes, Roommates, 2015, ceramic, plastc bag, water
  • Lila de Magalhaes, It's the natural vogue, video still, 2012

PANE is a kind of food full of calories and it comes in several types according with your tastes and urgencies, always with carbs. Now it seems to exists low-carb, but the difference is not remarkable. It is like a fake one.
What is bread without carbohydrates?
There are many kinds of bread, I like the one with 00 flour. But they say it is bad for health.
So how can the carbohydrates be eliminated? Does a machine for that exist? I want to see it. I want to see what is inside it, proteins instead of air I guess.

PANE is bread, PANE is primary, PANE feeds, PANE crumbles, PANE is an artists run project based in Milan. PANE is an artists run project based in Milan, initiated in 2016 by Lucia Leuci.

Sofia Ginevra Giannì, Napoli 1991 —

SAGG NAPOLI  é un progetto di ricerca a cui mi dedico dal 2014. La ricerca di SAGG NAPOLI é semi autobiografica. Si occupa di ciò a cui mi riferisco come #southaesthetics per narrare la situazione socio economica del Sud dell’Europa. Utilizzando Napoli come punto iniziale, gli oggetti, i video, il mio corpo e presenza (inclusi i vestiti che indosso) sono un modo per mappare l’estetica contemporanea, la sua cultura e subcultura di una zona che io trovo sia il ponte e un punto di incontro tra il nord e il sud del mondo.

Sofia Ginevra Giannì, Naples 1991 —

SAGG NAPOLI  is a research project i have started in 2014. SAGG NAPOLI research is semi auto-biographical.  it deals with what i refer to as #southaesthetics to narrate the current socio economical situation of the south of Europe. Using Napoli as a starting point, the objects, videos, my own body and presence (clothes) are a way of mapping the contemporary aesthetics, culture and subculture of an aerea that i see as a bridge and a meeting point between the north to the south of the world.

SAGG NAPOLI, screen grab from-Si na bugij pi cosc lisc e o smalt ngopp all’ogn - You’re a lie with smooth thighs and painted nails, 2017. HD 18:10 minuti

Sofia Ginevra Giannì, SAGG NAPOLI, screen grab from-Si na bugij pi cosc lisc e o smalt ngopp all’ogn – You’re a lie with smooth thighs and painted nails, 2017. HD 18:10 minuti

SAGG NAPOLI, screen grab from-Si na bugij pi cosc lisc e o smalt ngopp all’ogn - You’re a lie with smooth thighs and painted nails, 2017. HD 18:10 minuti

Sofia Ginevra Giannì, SAGG NAPOLI, screen grab from-Si na bugij pi cosc lisc e o smalt ngopp all’ogn – You’re a lie with smooth thighs and painted nails, 2017. HD 18:10 minuti

Lila de Magalhaes, Rio de Janeiro 1986 —

“Continuo a tornare alla conclusione che la dissezione per esporre il singolo come modo per mostrare la verità sia meno efficace del lavorare con più strati per articolare un accordo sentito.
Mi sveglio e il mio corpo e la mia mente non sono d’accordo, desiderano cose diverse. Sono in bilico tra la vergogna e la gioia che provo mentre prendo nota di impulsi, spesso sogghignando tra me e me quando sono sola a fare cose inopportune. Sono attratta da simboli semplici e carichi. Una ciliegina scintillante, così vicina e allo stesso tempo così lontana dalla sua natura originaria, non più un frutto, ma un occhio arrossato di sangue: il tacco di cristallo di una spogliarellista, perso in una foresta rigogliosa, sostiene il corpo impenitente di una lumaca.
Quando faccio qualcosa, idealmente mi guardo e penso “Chi sei tu!?” Da dove sei venuta??!” e la domanda si sposta continuamente tra l’essere diretta alla creazione e a me.”

Lila de Magalhaes, Rio de Janeiro 1986 —

“At the moment I keep returning to this conclusion that dissecting to expose the singular as a way of showing truth is less efficient than working with multiple layers to articulate a felt accord.
I wake up and my body and my mind are not in agreement, want different things. I vary between learned shame and delight as I take note of impulses, often grinning to myself when I am alone doing things that are improper. I am attracted to symbols that are simple and charged. A glistening cocktail cherry, both close and very far from its natural origin, no longer a fruit but an arresting eye of blood. A cristal stripper heel, lost in a lush forest, supporting the unapologetic body of a slug.
When I make something, ideally it looks back at me and I think “Who are you!? Where did you come from??!” and the question switches back and forth between being directed at the creation and back at me.”

Lila de Magalhaes, Remote Control (detail), 2017, dyed sheet, thread

Lila de Magalhaes, Remote Control (detail), 2017, dyed sheet, thread

Lila de Magalhaes, Is wollow you looking at me 2016, careamic, cherry

Lila de Magalhaes, Is wollow you looking at me 2016, careamic, cherry